But
something in the message touched enough listeners for the song to climb the
charts. I was one of those
listeners. Perhaps the song was even one
small step on my path to writing this urbanism blog.
“American
City Suite” is about the decline of cities in the 1970s, with the songwriters
tracking the transition from the fond memories of youthful play toward the
adult realities of drug-dealing and urban decay. It culminates in a deathbed watch for city
life. It seems likely that the lyrics
were specifically directed at New York City.
One can
interpret the lyrics as the changes in how one views a city during the
transition from youth into adulthood. But
story arc also tracks the changes that were occurring in the cities of the
early 1970s. The setting of the song coincides
with the final stages of Robert Moses’ role in New York, much of which was an effort
to convert streets from places where stickball was played into conduits for
funneling commuters toward the suburbs.
But rather
than reading my interpretation, take a listen. And try not to smile at the lines, “Something
‘bout their sweaters make you play a little better. Or at least you tried.”
Okay, it’s a
bit saccharin, but there are legitimate and heartfelt emotions under the
sometimes cheesy presentation. Forty
years later, it still resonates with me.
The Kinks come
close to evoking urbanism as memorably as Cashman & West. But the Kinks’ theme was often the rejection
of the hustle and bustle of city life in favor of a pastoral village life. The Kinks would likely concur with the goal
of new urbanism to create more opportunities for human connection within the
city, but that concurrence wasn’t reflected in their songwriting.
Do any of
you have favorite songs that evoke urbanism?
Please share.
(Some may
find the name Cashman familiar. After he
and Tommy West ended their partnership, Terry Cashman went on to write and
record the well-known baseball anthem, “Willie, Mickey, and the Duke”. So his career includes a tribute to much that
was good about New York City in the 1950s and a lamentation for much that had
gone wrong by the 1970s. It’s a
remarkable set of songwriting bookends.)
As always, your questions or comments will be
appreciated. Please comment below or
email me. And thanks for reading. - Dave
Alden (davealden53@comcast.net)
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