(Warning: Except
for the last few links, the links in this post aren’t safe for work. It’s not language or nudity. It’s that most of the links go to music and some
of those songs may be too loud for workplaces.
Of course, you could turn off your audio, but then there’d be no reason to
click on the links.)
My wife
hosts occasional brunches for a small group of friends. I understand that the gatherings are often
loud and raucous, although I don’t have first-hand knowledge. I normally depart early for weekend chores on
brunch mornings, with plans to stay away until long after the last guest has
departed.
But on a
recent brunch Saturday, I had no chores on my list nor did I have any compelling
urban explorations. So I instead
retreated to the attic to spend several hours in productive winnowing and
tidying. And to ensure that I couldn’t
hear any of the hubbub from the gathering below, I dug into my aging collection
of vinyl from the 1970s and cranked up the volume on the sound system that I’ve
owned since college days.
Thus, I
spent a morning rearranging books and listening to Blood Sweat and Tears. I’m not sure if BS&T is my favorite rock
group, but rock infused with jazz and brass is my favorite rock genre and
BS&T is my favorite group within that genre, so the band has to be close to
the top of my list.
(Other
favorite purveyors of jazz-rock fusion are Chicago,
Chase,
the
Ides of March, and Lighthouse. In particular,
every time I listen anew to the Chase link, the trumpet pyrotechnics give me
goose bumps.)
I listen to
Blood Sweat and Tears often, but usually when I’m working on another task, such
as writing this blog. Doing a mindless
task such as attic organizing while BS&T played on the two-foot tall
speakers of my college days (Bose 501s if anyone remembers those) caused me to
fall in love with their sound all over again.
And, in the
tradition of the 21st century, falling in love is a reason to do internet
research on the target of one’s affection.
(Liner notes are so 20th century.)
I quickly found stuff that I either never knew or had long forgotten
about the band, including that they were often derided for being a cover band.
To me, it
was a head-shakingly clueless criticism.
Of course Blood Sweat and Tears was a cover band. Indeed, they may have been the best cover
band ever. They took songs that already
had an established and well-loved personality and infused the music with their own
sensibilities, creating something that was new, different, and wonderful. They wouldn’t have been the same band if they
hadn’t built upon our familiarity with the tunes and then surprised us with
their new versions.
Looking at
their eponymous album (which was also their most successful, although I remain
partial to the two follow-up albums), songwriting credits include, among many
others, Stevie Winwood for “Smiling Phases”, Berry Gordy, Jr. for “You’ve Made Me So Very Happy”, Eric
Clapton for “Sunshine
of Your Love”, and even French doodler Erik Satie whose work was interpreted for the
opening and closing movements.
Plus,
although “God
Bless the Child” will forever be a Billie Holliday song, the
BS&T version is startling and gripping in its interpretation.
Of course
Blood Sweat and Tears was a cover band.
And we should be forever thankful that they gave us the covers rather
than playing only their own compositions.
That decision has greatly enhanced the musical memories for many in my
generation.
This brings
me back around to urbanism. (Perhaps you
were beginning to wonder if I could connect those dots?)
Mixed-use
buildings, with residential over streetfront retail, educational, or public uses,
are a core element of urbanism. There
are essential roles for small-lot single family homes and missing middle housing, but a mixed-use core,
where residents can meet friends for beverages, buy broccoli, or catch transit
are the essential heart of many urbanist enclaves.
But, despite
the vital role of mixed use, the architecture proposed is often
uninspiring. Perhaps it’s an unavoidable
result of the combined effects of height limitations, building codes, parking
requirements, and contemporary construction techniques, but many mixed use
buildings seem to differ only in the detailing.
The newly proposed Haystack Landing project in Petaluma is a
recent example.
I’d support
the development of mixed-use buildings if they looked like Quonset huts, but I’d
loved to be inspired by creative architecture that builds on the history of the
concept. Thus, it was with anticipation
that I learned of the involvement of noted Uruguayan architect Rafael Vinoly in
the mixed-use redevelopment of the former Vallco Shopping Center in
Cupertino. I was hopeful that his team would bring fresh
eyes to the concept, offering a vision that could change the look of mixed use elsewhere
in the country.
I was
disappointed. The Vinoly team put forth a plan with vast areas of green
roofs, including a vineyard, covering a mixed-use neighborhood. It was a creative plan, but didn’t push the
concept of mixed use forward in a helpful direction.
To begin, I
doubt the project can ever be built, with the likely construction costs beyond
the limits of financial feasibility, even for the Silicon Valley. And even if it is built, it would seem to be
a massive construction liability lawsuit in the making. But most importantly, it’s not a concept that
can be exported. It relies on the
extreme financial realities of the Silicon Valley.
I had hoped for
a Blood Sweat and Tears cover of the mixed use concept, a new and creative approach
to an old favorite that would attract a wide audience. Instead, I got a weird tune that, even if
performed once, will never be played again.
And that’s a shame.
Shaking my
head, I’m heading back to the attic to dig deeper into my BS&T archives.
A regular
reader recently forwarded a link on technological advances that could transform
urbanism. Many of the concepts were
intriguing, although I also feared that technology, not urbanism, was becoming the
star. I’ll discuss in my next post.
As always,
your questions or comments will be appreciated.
Please comment below or email me.
And thanks for reading. - Dave Alden (davealden53@comcast.net)
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